“Political manipulation is rampant in the American media,” Haneke told me over lunch in downtown Manhattan last winter.
“It’s present in the movies too, of course. It’s everywhere. I teach filmmaking in Vienna, and I like to show my students ‘Triumph of the Will,’ by Leni Riefenstahl, then something by Sergei Eisenstein — ‘Battleship Potemkin,’ for example — and then ‘Air Force One,’ the movie in which Harrison Ford plays the U.S. president. Each of these films has a distinct political agenda, but all make use of exactly the same techniques, all have a common goal — the total manipulation of the viewer. What’s terrible about the Harrison Ford film, though, especially terrible, is that it represents itself as simple entertainment. The audience doesn’t realize there’s a message hidden there.” Haneke sat back and shook his head gravely. (From the Sunday New York Times Magazine on Sept. 23)
Michael Haneke is an Austrian filmmaker probably best known for his movie "The Piano Teacher."
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